Why Leaf Shutter Lenses Matter


Have you wondered how something as simple as a lens design might shape your approach to off-camera lighting? And what if that same lens could shape how light is recorded within a camera? Add to that this bonus: this same lens might take what you already have and make it four times more effective?

We are approaching an era where camera sensors and mega-pixels no longer matter and the darling of the off-camera lighting world isn’t what you might guess.

The Tool That Will Shape Photography in 2013

(Re)Introducing: the Leaf Shutter Lens. It’s more about technique than power. If you are new, here’s a video to get you started:

Leaf shutter lenses have been around since the dark ages of photography, call it 50 years. Yet many photographers never heard of them. They are changing the scope of photography and that directly impacts workflow, style, and—let’s call it what it is—camera porn.

I am digging leaf shutter lenses these days, turning mostly to the Schneider Kreuznach 55mm f/2.8 in my wedding and portrait work.


As differences in working with a digital medium format are becoming more pronounced, a topic not getting much attention revolves around leaf shutter lenses. After all, there isn’t a ton of non-biased research promoting leaf shutter lenses, other than photography companies and the shops that sell them. And there’s zero financial benefit to me promoting any product or service on this blog. Camera companies give me nothing, and I don’t get paid for any advertising. This is just my own heart typing away!


What makes a leaf shutter so special?

I favor the design simplicity of the leaf shutter lens. It’s not necessarily what it is, but what it can do. Yet the full explanation requires a bit of homework. Read on.

What is a leaf shutter?

The opening and closing of the leaf shutter lens offers a unique glimpse into its performance. With a light shining through the camera viewfinder, here is leaf shutter lens in motion:


(Note that the dark lens means the shutter is wide open and that you are peering directly into the sensor)

Essentially, the lens serves the same optic function as a DSLR lens. However, the difference resides in the lens design  and the fact that the shutter is built into the lens, which gives it the ability to work with the focal plane shutter inside the camera.

How does a leaf shutter work?

A series of metal blades, called leaves, open and close in order to expose a photo instead of the focal plane. Single leaf shutters are found in disposable cameras, but multi-bladed shutters have more parts and are more difficult to manufacturer since they have so many moving components inside the lens.

Do leaf shutter lenses let light in differently than a 55mm DSLR camera lens?

Nope. The optic function remain the same. Sure, the bokeh varies slightly in terms how the out of focus highlights are rendered. It’s not better than a Canon 50mm f/1.2 or a Zeiss 80mm F/2, just different and less-distracting for my taste.

While focal plane shutters boast faster shutter speeds of up to 1/8000 sec, they can’t synchronize with a flash at that speed within normal parameters. Leaf shutter lenses can function at higher flash sync speeds up to 1/1600th second since they are built different. This has everything to do with lens construction. Those folks in Denmark can tell you all about.

Why does it matter?

In the world of flash photography, quality of light is far more important than quantity of light.

I would much rather have a well-exposure subject in light I’ve controlled than a well-exposed subject in ‘ugly light.’

This is where the important technical details of big lights come into play: recycle time, power capacity, flash duration, size, weight, flexibility, and cost.

Most simply, because the leaf shutter makes it easy to lower the ambient light, you don’t have to use large strobes to overpower the sun. You can use a quick shutter instead. It’s the perfect ninja solution: you rely on less strobe power with the same effort to obtain the same exposure. You’ll have more strobe pops per charge and fire them quicker because they are lower power and quicker to recharge.


Who would benefit from using a leaf shutter lens?

If your photography style relies on off-camera lighting with shallow depth of field, you don’t know what you are missing. A leaf shutter lens is a powerful creative tool that allows you more control over light.

If you shoot editorial, fashion, or commercial jobs, your photography clients probably are familiar with medium format. They will really appreciate your investment when it comes with the image quality of the medium format lenses. You might already rent this stuff for the big jobs. If you rock high-end headshots like Peter Hurley or produce epic fashion like Drew Gardner, you’ve been using this stuff for years. And if you are a wedding photographer looking for something different, consider medium format.

What does it do to a flash?

Nothing. Your flash/strobe will still work the same.

What can it do when used in conjunction with strobe?

This is a better question. It’s not necessarily what it is, but what it can do for you that matters.

Leaf shutter lenses will change your ability to compete with ambient light. It’s all about the light ratios in relationship to the ambient.

If I have a camera, say a Canon 5D with 1/200 flash sync, and am using it at full power I might get f/16 for a proper exposure. However, if I want to over-power the ambient by one stop of light for a moody, dramatic look, you are pushing f/22. You’ll need to either be really close to your subject, or have really powerful power packs. You’ll face lens diffraction and a measurable softness in image quality. Also, expect to see every spec of dirt on your sensor as well, which means even more time in post-processing.

If you can sync at 1/1600, for example, then you might only need to shoot at f/4 and over-power direct sun by three stops when your flash is 12 feet from your subject. That’s huge.

Huh? Please explain more.

When I meter for flash in the sun, I usually start at the max sync speed my camera permits, then adjust the power on my flash to get the aperture I want and depth of field I need to make my subject look the way I want. (With groups of people, for example, I need a greater depth of field—like f/8—to get everyone in focus). If I am limited on flash power, then I must open my aperture to let more light in. If I want to underexpose the ambient, then I need to close my aperture and power up the flash.

1/200th at f/16 is the same as 1/400th at f/11. Because your aperture controls the flash, you can balance the same light with 50% flash power. That adds up quickly because the steps become more significant power jumps as you require more flash power.

An f-stop scale is an geometric sequence of powers to the square root of two like this:

f/1.4,  f/2,  f/2.8,  f/4,  f/5.6,  f/8,  f/11,  f/16,  f/22

Adjusting from f/2 to f/2.8 is opening up one stop of light. Adjusting f/11 to f/4, you drop three full stops (count back in the above sequence)

Let’s say our background exposure is 1/200th @ f/16 @ 100 ISO. It should be obvious that the following are  the same exposure (at base ISO):

  • 1/200th @ f/16 @ 100 ISO (Full Power Strobe)
  • 1/400th @ f/11 @ 100 ISO (1/2 Power Strobe)
  • 1/800th @ f/8 @ 100 ISO (1/4 Power Strobe)
  • 1/1600th @ f/5.6 @ 100 ISO (1/8 Power Strobe)

This is a whopping three stops less of flash power to get the same exposure, but with a much shallower depth of field and lower flash power.

Can’t I just use neutral-density (ND) filters like Joey L and sync at 1/125 sec?

Sure. But don’t expect the camera’s autofocus to track and lock on to moving objects like pets or kids. It’s trying to hit a slow-pitch softball at night wearing sunglasses. You’ll miss more than you’d care to admit.

You’ll need a good dose of practice to nail focus when shooting through an ND-filter with larger apertures like f/2.8 or f/4 because of the shallower-depth of field.

And you’ll still have to bring the same amount of flash power since that light has to go through the ND filter. ND filters can slow down the process of focusing and offer one more thing to pack, setup, and worry about scratching or losing. I’m all about simplicity.

As for being limited to shoot at 1/125 of a second with moving subjects in a studio, possibly with strobes at fast flash duration. However, if you are outside with the sun, you’ll have much more ambient light to contend with. Capturing a sharp action photo of a model’s blowing hair, a twirling wedding dress, or water droplets will be more difficult to obtain outside of a studio environment due to the ambient light. You risk losing sharpness, thereby mitigating the whole point of shooting with a high-resolution camera.

If you choose to add an ND filter on the example above, expect:

  • 1/200th @ f/16 @ 100 ISO (Full Power Strobe)
  • 1/400th @ f/11 @ 100 ISO (Full Power Strobe)
  • 1/800th @ f/8 @ 100 ISO (Full Power Strobe)
  • 1/1600th @ f/5.6 @ 100 ISO (Full Power Strobe)

Don’t let the numbers scare you. Just experiment and play.

How do other cameras pair up with max flash-sync speed?

Nikon D70 (1/500), Nikon D700 (1/250), Nikon D4 (1/250), Nikon D600 (1/200)

Canon 5D (1/200), Canon 5D Mark III (1/200), Canon 6D (1/180)

Older-medium format cameras like Mamiya AFD & Contax 645 (1/125)

Hasselblad 500 C/M (1/500), Hasselblad H4D-40 (1/800), PhaseOne IQ series backs w/645DF (1/1600)

What cameras are compatible with leaf shutter lenses?

Medium format cameras. Hasselblad (H4D-40), PhaseOne (645DF), and Fuji (x100) make leaf-shutter compatible cameras.

How much are they?

Here comes the bad news. And the very bad news. While they boast design style and build quality, it comes at price. Leaf shutter lenses are boutique items. And also have lots of moving parts, like a Breitling watch. Good luck finding one under new $1,800. The new Schneider Kreuznach 28mm LS will run about $6,000 for a fixed-focal lens. Yikes!

Why are they so expensive?

These lenses are specialized. Modern leaf shutter lenses are hand-made by small, employee-owned companies, not mass produced on assembly lines. Not everyone on the block shoots with them. And the price is a direct reflection of quality. You get what you pay for. When it comes to using them with high resolution medium format cameras of the highest quality, you want to pair them with an equally as lens that is sharp lens with amazing clarity to boot. You would’t put cheap tires on an Indy car.

Can I see a difference?

LS lenses are designed to be sharp. They’re made for high performance. You can pull out amazing detail with these high-accuracy lenses and make tight crops appear like full-frame images. The biggest difference I will say about the leaf shutter lenses, specifically the Schneider-Kreuznach that I’ve used, is that you can shoot wide-open apertures, like f/2.8, and not worry about chromatic aberration or corner softness. And if you plan on using Schneider glass on a camera with an anti-aliasing (AA) filter, expect it to be like listening to music on high-end speakers with a cassette tape.

The final word

Be open to trying something new and different. You might surprise yourself. Make your own determination and see for yourself. Just try before you buy. Most big-box camera stores won’t carry leaf shutter lenses, which is the tough part. Many rental houses won’t either. My suggestion? Check out Capture Integration which may credit a rental towards a purchase price, an added benefit. Just tell them I sent you (I don’t get any kickbacks for saying that either).


Willy seems to like LS lenses, too:


Three more nerdy photo-related blog posts you’ll dig :

  1. Nikon D4 vs Medium Format
  2. The Profoto D1 Air & PhaseOne V-Grip Air Review
  3. The Hit List : 33 Photo Tips and Tutorials from 2012

43 Responses to “Why Leaf Shutter Lenses Matter”

  1. Ronan — January 9, 2013 @ 4:31 am (#)

    Interresting ^^. I totally agree for the fuji X100, the leaf shutter lens was the primary function that apealed to me. I think the Pentax 645d has two LS lenses too (at 1/500th : 75f2.8LS and 135f4Ls).
    True that Phase One, or more truelly Schneider Kreuznach made a jump with their 1/1600s LS lenses. For now, it’s the way to finance this big jump that bother me. hope I’ll be able in a few monthes!

  2. Phil Chan — January 9, 2013 @ 9:07 am (#)

    You might already know this but the D40/D70 and Fuji X100 can actually sync as fast as you want (if you override the TTL).

    With my cactus v5 radio triggers, I can get 1/1000 sync on my d40. The liming factor in this case is the radio trigger delay.

    The t0.5 and t0.1 times also start to come into effect at faster shutter speeds.

    Still, you are correct that leaf shutters allow for very fast sync and Nikon doesn’t seem to be going back to electronic shutters unfortunately for those that like fast flash sync.

  3. R. J. Kern — January 9, 2013 @ 10:09 am (#)

    @Phil, Very true. But there are also performance hits with high speed sync. You loose power fast since the shutter is open for only a portion of the flash.

    @Ronan, there’s no point using an LS lens on a camera that only syncs at 1/125. Deal killer.

  4. Tim Boatman — January 9, 2013 @ 12:30 pm (#)

    Ooooh beautiful images. The two pastors (or whatever they are) is really great, it has a holy mode.

    I also love the bride standing within the log. Looks like something Rembrandt might have thought of. She had to be a fun bride to give you enough nerve to ask her to stand in the weeds! Stunning portrait.

  5. Giovanni Savino — January 9, 2013 @ 9:19 pm (#)

    Another great, interesting article !

    Not only you give a most welcome first hand report about life on the digital medium format planet, but you also explain in a remarkably accessible and easy to understand way how leaf shutter lenses differ from DSLR ones and their advantages, especially when using strobes.

    I greatly admire your images and I admire, just as much, how you kindly share your creative experiences with the rest of us.

    Since the day I had the pleasure of meeting you, I have been seriously thinking about making the “big jump” to digital medium format myself.

    Every time I see a new image of yours I feel a step closer to it !!

    Congratulations on your superb work.

  6. Elie — January 10, 2013 @ 7:46 pm (#)

    Hey R.J.

    Thanks for that post.

    I think Phil is saying that the D40 doesn’t need high speed sync to reach that shutter speed. Simply using manual flash on that camera (or the D70 perhaps) will make the bottleneck be the trigger – unlike more modern Nikons that dropped their max non high speed sync a lot. (Still ahead of Canon in most cases).

    My question is, what flash triggers do you use to support said high speeds?

  7. R. J. Kern — January 11, 2013 @ 9:21 am (#)

    @Elie I use the PhaseOne’s V-Grip Air with Profoto D1 which can keep up with 1/1600 sync. Works like a charm and never had any issues, unlike the Pocketwizard 1/400-1/500 max sync and cord issues.

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  9. John — January 29, 2013 @ 4:24 pm (#)

    RJ, Swerved across your site recently. Good stuff. I’m a retired wedding shooter 1990-2010. Hasselblad V-Series then the Nikon D3 and D700s. Good that you’re educating the youth in the market. My mechanical MF Zeiss glass had leaf shutters that went to 1/500th.

    Just bought a Hasselblad H1 to go back to film. Their lenses sync to 1/800, which is within 1 stop of your 1/1600. Might consider recommending the Hasselblad H-Series. Lenses are stellar-optics by Fujinon, proprietary shutters by Hasselblad.

    Much less expensive, at least on the secondary market.

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  11. Alan W. — January 31, 2013 @ 12:46 am (#)

    Interesting. I like your writing style as well. Nice analogy, “You would’t put cheap tires on an Indy car.” I’m gonna use that sometime in the future. Thanks again. 🙂

  12. D Chang — February 12, 2013 @ 2:38 pm (#)

    @ RJ Kern:

    The Pentax 645D’s body shutter syncs at 1/125, yes. This is slower than the leaf shutter lens’ sync at 1/500, so it doesn’t matter what the body’s sync speed is, as long as it is slower than the lens’ sync speed (assuming your exposure is based on your flash/strobe duration being within the lens’ sync speed). As long as the focal plane shutter is slower than the leaf shutter, it should work (not accounting for actual trigger speed differences).

    The sync terminal (PC socket) on the lens syncs the flash when the lens shutter is in use.

  13. R. J. Kern — February 12, 2013 @ 2:50 pm (#)

    @dchang Simply not true. In low light situation, perhaps. In bright sunny conditions, however, not so. Why? Because the addition ambient light available during the shutter curtain is still open and flash is complete will create blurry movements, especially for a fast moving subject. Freezing motion is such bright conditions becomes almost impossible. Hope this helps your understanding of balancing flash with ambient and the power of high-speed sync.

  14. D Chang — February 12, 2013 @ 3:45 pm (#)

    @RJ Kern

    I do understand how to balance ambient and flash exposures; I guess I should have clarified to mean that if your intended exposure is based primarily on the flash/strobe contribution (and not ambient), then the slower than 1/500 sync doesn’t matter (as much).

    Of course it doesn’t apply in every conceivable situation, I was just pointing out that using LS lenses should be possible as @Ronan mentioned with the Pentax lenses. It’s conceivable that some might not want the same look of killing ambient by >2 stops/shallow depth of field/full sun… with this alternate setup you could still get ambient -1 (say at 1/125, f5.6, ISO 100 or thereabouts on less bright conditions) but getting a 2 stop ratio with a subject lit at 1/500, and still using non-full power flash.

    Your choice of words made it sound like it was impossible or not workable (“there’s no point using…”). Not ideal maybe (e.g. not being able to shoot wide open all the time) but possible. By stating something is “simply not true” but then following with a qualifier makes your explanation harder to follow. Hope that’s a little clearer, I’m assuming @Ronan was just mentioning that the Pentax option was available too (with limitations, since they don’t have autofocus or autoexposure I think).

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  17. Sam — July 21, 2013 @ 2:48 pm (#)

    How much post work needed on the “bride between logs” and dog in the last shot?

  18. R. J. Kern — July 22, 2013 @ 12:42 am (#)

    @Sam, 50% of the art of photography for me relies in the darkroom. Nailing a good exposure, composition, and moment is the first step. The second step in that image relies on effective dodging and burning along skin smoothing and a few removing of distracting elements like powerlines. 20 minutes tops.

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  22. Lou Hochman — May 14, 2014 @ 11:14 am (#)

    If anyone’s still checking this thread, I have what may be a dumb question. I’m still learning a lot about flash and light, so bear with me.

    I get that 1/200th at f/16 is the same exposure as 1/400th at f/11 – you’re adjusting one stop on each the shutter speed and the aperture, in opposite directions. But if they’re equivalent, why do they require different amounts of flash power? Shouldn’t that then mean they require exactly the same flash power?

    I feel like I’m missing something obvious.

  23. Lou Hochman — May 14, 2014 @ 12:07 pm (#)

    Wait — I think I answered my own question! 1/200th at f/16 is the same exposure as 1/400th at f/11 for the ambient light only. The flash’s impact on exposure is unaffected by the shutter speed change, since the flash burst is faster than the shutter anyway and can’t be treated light continuous light (except in HSS). But opening up the aperture DOES affect the flash’s impact. So opening up a stop means cutting the flash power by a stop to keep things even … and the shutter speed is a non-factor in determining that.

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  25. Trevor Smith — June 22, 2014 @ 2:12 pm (#)


    Can you tell me if or how Manual LS lenses are or can be triggered on the Hasselblad H4D i.e. using the Mamiya 645 Adapter and a Mamiya LS Lens?

  26. Joe Zhou — August 17, 2014 @ 1:44 pm (#)

    I tried a Fuji X10 with my 41 years old Bowen strobes. Sync to 1/1000 sec. Worked really well and every one can afford them. Would like to try Fuji X100 sometime when I get a X 100.

  27. Sean — September 3, 2014 @ 11:13 pm (#)

    Great article, and some fantastic practical use of leaf shutter with flash. I’m a little surprised you don’t mention the RX1 and RX1R- for a professional photographer like yourself, I’d think the full-frame sensor and 35/2 lens with leaf shutter would make it very relevant.

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  30. Alvin Shih — April 13, 2015 @ 7:23 am (#)

    If there’s a “gateway drug” to leaf shutters, it’s the Panasonic FZ1000!

    Syncs up to 1/4000 (1/3200 from wide open).

    Very amusing to chase my kid around the playground trying to get a perfectly-lit snoot shot with off-camera shoe cord flash!

  31. Andrew Paquette — May 20, 2015 @ 5:32 pm (#)

    You say that you don’t have to worry about CA with the SK LS lenses on the P1, but when I have used them, I find that many shots have serious CA problems. In comparison to my Zeiss Otus lens–which has no fringing issues at all. I tried using narrower apertures on the P1 and this did diminish the problem but did not always eliminate it. This is in comparison to Zeiss glass which doesn’t seem to have CA problems after f/4 for any of their lenses, and the Otus and APO lenses which have none or it goes away at f/2.8 or so.

    The two SK lenses I used are the 80mm LS and the 28mm LS.


  32. R. J. — May 21, 2015 @ 9:12 am (#)

    @Andrew I haven’t experienced the issues you’ve been discussing. Keep in mind the 250 has a crop sensor and I am shooting on full-frame IQ160 or 260.

    Have a look at high res images I’ve taken recent with strong backlighting and strobe… you can download the high res photos, too, and zoom in:

    I would consider contacting your dealer. Perhaps it has to do with post-processing (CaptureOne can do a good job at processing the files). Or sensor issues (I’ve had major issues two two backs direct from the manufacture which were replaced under warranty.

    Thank you for your comment and I wish you the best of luck! Great to see other fellow creatives use such powerful tools for their work.

  33. Warren — June 22, 2015 @ 3:29 pm (#)

    I have a Mayima 645 and have found a leaf shutter lens. If I mount this on my camera will I be able to use my maxium 1/500 sec shutter speed with flash?

  34. Geert Peeters — February 14, 2016 @ 7:00 am (#)

    Wow, the first understandable post on leaf shutter lenses!

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  39. Rick Jack — November 22, 2016 @ 8:27 pm (#)

    Very well written and you make valid points. As a wedding photographer for 40 years I’ve worked with both leaf and focal plane shutters, film and digital. Leaf is my first choice for daylight fill and multiple lighting. The work around using a focal plane shutter is neutral density filters. The average difference between the flash synch of a leaf vs F.P. Is only 1-3 f-stops depending on your camera. Early DSLR’s rarely went below ISO 200 which made matters worse.

  40. Harvey — December 23, 2016 @ 11:31 am (#)

    It appears to me that one important variable has been overlooked when using a leaf shutter with a fast sync speed: flash duration. If the shutter is faster than the flash duration, then part of the light will be cut off, which will affect both total illumination and color temperature.

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